Abandon all hope of logic, ye who enter here.
David Lynch's INLAND EMPIRE (he insists the letters be capitalized), shot with a consumer digicam (the Sony PD-150), is three hours of mesmerizing (often infuriating) incoherence, a puzzle whose pieces you'll keep trying to put together in your head long after you leave the theater.
Some filmmakers work outside the box, but Lynch - the maker of surreal masterpieces (Eraserhead, Blue Velvet, Twin Peaks and Mulholland Drive) - never fit in any box to begin with.
David Lynch's INLAND EMPIRE (he insists the letters be capitalized), shot with a consumer digicam (the Sony PD-150), is three hours of mesmerizing (often infuriating) incoherence, a puzzle whose pieces you'll keep trying to put together in your head long after you leave the theater.
Some filmmakers work outside the box, but Lynch - the maker of surreal masterpieces (Eraserhead, Blue Velvet, Twin Peaks and Mulholland Drive) - never fit in any box to begin with.
Peter Travers. RS.
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